Beyond the Image On Visual Culture in the Twenty-First Century HARMS INGEBORG/BOOM La Collection de l'Art Brut

La Collection de l'Art Brut trouve finalement sa place à Lausanne

posés là dans un carnet de croquis de format A4

This gorgeous collection of work is a must for anyone wanting to take part in the imaginative journey through Louise Bourgeois' psyche

Cette observation a inspiré Cécile Poimboeuf-Koizumi — éditrice et fondatrice de Chose Commune — à rassembler les œuvres qui ont attiré son regard

Beyond the Image On Visual Culture in the Twenty-First Century HARMS INGEBORG/BOOM La Collection de l'Art BrutToday, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital. In the twentieth century, the machine automated the hands of workers; in the twenty first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic